18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Text-to-video and image-to-video departing from your stills. One movement per clip; cost by duration and resolution, read out before departure.
Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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Video is the longest and costliest leg of any passage here, so it is planned like one. The dependable order of sailing is stills first — a frame that is already on character and already judged — and then a single movement laid over it. For a scene that exists nowhere yet, a text brief can carry the same bearing card your stills use, so the woman in motion is recognisably the woman on the chart. Pricing follows duration and resolution, is calculated on the job itself, and is read out in full before you confirm. A failed render refunds itself, like every failed leg in this studio. Plan the passage once, on paper, and the render rarely needs a second attempt.
Image-to-video inherits the navigator, the outfit and the room from its first frame. It is the cheapest consistency on the whole rose, and the calmest way to sail.
A turn toward the porthole light. A slow walk along the rail. One movement, camera held steady. Choreography smears across frames; a single gesture renders clean and loops gracefully.
Decide where the clip will live before it is rendered. A feed teaser and a store piece are different voyages, and rendering the maximum of everything is how passage budgets quietly double.
The strongest frame of the week, given a few seconds of life to draw a viewer toward the full set.
One clean repeating gesture that reads at thumbnail size and survives platform compression.
Longer takes briefed from the same bearing card as the stills beside them, so nothing feels cast twice.
“She turns slowly toward the porthole and looks out over the night sea, hair lifting a little in the sea breeze, camera still.”
One movement for the navigator, none for the camera. The first frame already decided everything else, so the brief only directs the motion.
“Fictional 35-year-old woman, long midnight-black hair in a sculpted pompadour quiff, midnight-violet satin corset, crossing a lantern-lit ship’s deck toward camera at night, unhurried, cinematic.”
The bearing card sails into the clip brief word for word, so the woman in motion is the woman in the stills.
| Lever | Effect on cost | Practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds of open water |
| Resolution | Higher costs more | Render at the destination’s measure; upscale a winner later |
| Retries | Each render is a job | Correct the brief or the first frame before sailing again |
By duration and resolution, calculated on the job and shown before you confirm it. Nothing is charged in the dark, and a failed render refunds automatically.
Image-to-video for series work, because the first frame carries the navigator with it. Text-to-video suits standalone scenes and first experiments on a new course.
Yes, with two habits: depart from series stills, and carry the bearing card into text briefs word for word.
Usually too much is asked of one leg — several movements, a travelling camera, a crowded room. One movement, a steady camera and an uncluttered space is the pattern that holds.
No. Clips rest in your account until you publish or download them. Nothing is posted on your behalf.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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